AFTERSHOCKS - The Western Landscape Today

UCR / California Museum of Photography, Riverside, California

October 1 to December 31, 2011

Curated by Colin Westerbeck

 

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Eight images featured in show

 

 

 

 

Earth Now: American Photographers and the Environment

New Mexico Museum of Art, Santa Fe, New Mexico

April 8 to October 9, 2011

Curated by Katherine Ware

 

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Three images featured in show

 

 

 

 

Art of Photography Show 2010

Lyceum Theatre Gallery, San Diego, California

August 28 to November 7, 2010

Juror: Natasha Egan, Associate Director and Curator at the Museum of Contemporary Photography in Chicago

 

Featured: Korean Methodist, Fullerton, California

 

 

 

 

The Curve, a photographic exhibition showcasing the recipients of the 2010 CENTER (Santa Fe) Choice Awards

Newspace Center for Photography, Portland, Oregon

September 3 to 26, 2010

Jurors: Roxana Marcoci, Curator, Department of Photography, The Museum of Modern Art

Laura Valenti, Programs Director & Chris Bennett, Executive Director, Newspace Center for Photography

Kathy Ryan, Picture Editor, The New York Times Magazin

Scott Thode, Editor-In-Chief, VII magazine

 

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Featured: Korean Methodist, Fullerton, California and Rose Room, Tustin, California

 

 

 

 

BRAD MOORe – PhotogRaphs

Fahey/Klein Gallery, 148 North La Brea Boulevard, Los Angeles California

July 15 to September 4, 2010

 

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Land Use Survey - A Group Exhibition

Jen Bekman Gallery, 6 Spring Street, New York, NY

July 1 to August 15, 2010

 

Featuring works by: Ian Baguskas, Chris Ballantyne, Beth Dow, Christoph Gielen, Todd Hido, Liz Kuball, Nick Lamia, Scott Lawrence, Michael Lundgren, Alex MacLean, David Maisel, Paho Mann, Louisa McElwain, Sarah McKenzie, Joel Meyerowitz, Dana Miller, Brad Moore, Matthew Moore, Michelle Muldrow, Justin Newhall, Ross Racine, Tyson Anthony Roberts, Andrew Scott Ross / Scott Lawrence, Aili Schmeltz, Bryan Schutmaat, Alec Soth and William Wegman

 

Featured: Mint & Magnolia, Westminster, California

 

 

 

 

PQ:100 – The original 100 photographs featured on the cover Photography Quarterly

The Center for Photography at Woodstock, Woodstock, New York

March 13 to May 31, 2010

 

Featured: Mint & Magnolia, Westminster, California

 

 

 

 

EXPOSED: Critical Mass 2009 – Photolucida’s Critical Mass Top 50 finalists

Photo Center Northwest, Seattle, Washington

March 5 to May 18, 2010

Guest Juror: Andy Adams, Editor/Publisher Flak Photo

 

Featured: Rose Room, Tustin, California

 

 

 

 

OsCene 2010: Contemporary Art and Culture in OC

Laguna Art Museum, Laguna Beach, California

Curated by Grace Kook-Anderson, Head Curator of Exhibitions for Laguna Art Museum

February 21 to May 16, 2010

 

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Featured: MS International, Orange, California and Jung Hye Sa, Anaheim, California

 

 

 

 

State of Mind: A California Invitational

Museum of Photographic Arts (MoPA), San Diego, California

February 6 to May 21, 2010

 

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Four images featured in show

 

 

 

 

Acquisition of two prints by San Francisco Museum of Modern Art (SFMOMA)

San Francisco Museum of Modern Art, San Francisco, California

 

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Certified Farmers’ Market, Tustin, California (2007) 28 x 42 in. and Mint & Magnolia, Westminster, California (2006) 20 x 32 in.

 

 

 

 

Harper’s Magazine, December 2009 issue, Readings Section

Harper’s Magazine, New York, New York

 

 

Featured: Ahern Rentals, Westminster, California

 

 

 

 

2009 Photolucida Critical Mass Top 50

Photolucida, Portland, Oregon

November 2009

 

 

 

 

Selected for the American Photography 25 Anniversary Annual

American Photography, New York, New York

Release date: November 12, 2009

Jurors:

Kathy Ryan, The New York Times Magazine

Stacey Baker, More

Jen Bekman, Jen Bekman Projects Inc.

David Carthas, Blender

Our past Jury Chairmen, Gary Koepke, Modernista!

Robert Priest, Portfolio

Fred Woodward, GQ

 

Featured: Korean Methodist, Fullerton, California

 

SEE IMAGES IN THE BOOK >

 

 

 

 

The Independent Photographers Terry O'Neill Award – Third Place

Independent Photographers Gallery, 3 Old Brewery Yard, Battle, East Sussex, England

Getty Gallery 46 Eastcastle Street, London, September 15 to 19, 2009

IPG, 3 Old Brewery Yard, Battle, East Sussex, September 22 to October 3, 2009

Jurors:

Terry O’Neill, Photographer

Melissa De Witt, Editor Hotshoe Magazine

Mark Grosvenor, md Tag Creative

Robin Morgan, Editor Sunday Times Magazine

Brett Rogers, Director Photographers’ Gallery

Ian Berry, Magnum Photographer

Lucy Bell, Director IPG, Curator

Ray Kyte, Director IPG, Photographer

 

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Six images featured in show

 

VIEW WINNERS CATALOGUE '09 >

 

 

 

 

The Photo Review 2009 International Photography Competition – Honorable Mention

The Photo Review, Langhorne, Pennsylvania

Juror: Lesley Martin, Publisher of the Aperture Book Program

"Best of Show: Winners of the 2009 Photo Review Photography Competition", Philadelphia's University of the Arts' Gallery 1401, Philadelphia, Pennsylvania

October 30 to December 11, 2009

 

Featured: Kermore Lane, Stanton, California

 

 

 

 

The 2009 International Exhibition of Fine Art Photography

The Center for Fine Art Photography, Fort Collins, Colorado

Juror: Andy Adams, editor of Flak Photo (www.flakphoto.com)

October 2 to October 31, 2009

Opening Reception October 2, 2009

 

Featured: Emerald Bay, Laguna Beach, California

 

 

 

 

 

PX3 2009, Prix de la Photographie Paris, Paris, France - Honorable Mention

Jurors:

Carol Johnson, Curator of Photography of Library of Congress, Washington D.C.

Gilles Raynaldy, Director of Purpose, Paris

Viviene Esders, Expert près la Cour d'Appel de Paris

Mark Heflin, Director of American Illustration + American Photography, New York

Sara Rumens, Lifestyle Photo Editor of Grazia Magazine, London

Françoise Paviot, Director of Galerie Françoise Paviot, Paris

Chrisitine Ollier, Art Director of Filles du Calvaire, Paris

Natalie Johnson, Features Editor of Digital Photographer Magazine, London

Natalie Belayche, Director of Visual Delight, Paris

Kenan Aktulun, VP/Creative Director of Digitas, New York

Chiara Mariani, Photo Editor of Corriere della Sera Magazine, Italy

Arnaud Adida, Director of Acte 2 Gallery/Agency, Paris

Jeannette Mariani, Director of 13 Sévigné Gallery, Paris

Bernard Utudjian, Director of Galerie Polaris, Paris

Agnès Voltz, Director of Chambre Avec Vues, Paris

Alice Gabriner, World Picture Editor of Time Magazine, New York

 

 

 

 

 

The First Annual PRC Juried Publication

Photographic Resource Center, Boston, Massachusetts

Juror: Dana Faconti, Blind Spot Magazine and Executive Director of Photo-Based Art

Publication Date: September 2009

 

Featured: MS International, Orange, California

 

 

 

 

Art of Photography Show 2009, Lyceum Theatre Gallery, San Diego, California

Judge: Charlotte Cotton, Curator and Head of the Photography Department at the Los Angeles County Museum of Art (LACMA)

August 29 to November 1, 2009

 

Featured: Rose Room, Tustin, California

 

 

 

 

HCP 27th Anniversary Membership Exhibition

Houston Center for Photography, Houston, Texas

Juror: Katherine Ware, Curator of Photography at the New Mexico Museum of Art in Santa Fe

July 10 to August 23, 2009

 

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Three images featured in show

 

 

 

 

2009 Works of Man Exhibition – Best Of SHow

The Center for Fine Art Photography, Fort Collins, Colorado

Juror: Chris Jordan, Photographer

June 26 to July 25, 2009

 

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Three images featured in show

 

 

 

 

 

Nominee for The New York Photo Awards 2009 – Fine Art Series

The New York Photo Festival, Brooklyn, New York

 

 

 

 

EXPOSURE: The PRC’s 14th Annual Juried Exhibition

Photographic Resource Center, Boston, Massachusetts

Juror: Russell Hart, Executive Editor at American Photo magazine

May 22 - June 28, 2009

 

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Three images featured in show

 

 

 

 

 

CONNECT 09 Palm Springs Photo Festival Slide Show Contest – Grand prize

Jurors:

Jeff Dunas, Photographer, PSPF Director

Dennis Keeley, Chair, Department of Photography & Imaging, Art Center College of Design

Michelle Dunn Marsh, Senior Editor, Art & Design, Chronicle Books

Laurie Kratochvil, former Photo Editor, Rolling Stone & InStyle, Director of Special Projects, Reader’s Digest Dvlp. Grp.

Frank W. Ockenfels III, Photographer

Mary Virginia Swanson, Marketing Consultant

 

SEE SLIDE SHOW >

 

 

 

 

Center 2009 Singular Image Competition: Curator’s Choice Awards – Honorable Mention

Center, formerly known as the Santa Fe Center for Photograph, Santa Fe, New Mexico

Juror: Corey Keller, Assistant Curator of Photography, San Francisco Museum of Modern Art

 

Honorable Mention, Certified Farmers' Market, Tustin, California

 

 

 

 

Cover Photo And Feature in photography Quarterly BY Center for Photography at Woodstock

PQ #97: Photography Now selections by Julian Cox.
Julian Cox, Curator of Photographs at the High Museum of Art in Atlanta, Georgia selected six photographers for PQ's annual Photography Now competition, including Fran Dickson, Helen Hoffelt, Brad Moore, Laura Noel, Donna Pinckley, and Ward Roe · At Work: Artist-in-Residence Portfolio Feature - Presenting works by 6 artists who participated in CPW's WOODSTOCK A-I-R program in 2006, including Deborah Bey, Isaac Diggs, Isabelle Lumpkin, Xaviera Simmons, Kwabena Slaughter, and Vagner Whitehead.

 

Cover: Brad Moore, Mint & Magnolia, Westminster, California, 2006, 28x42", Archival Pigment Print. (detail)

 

 

 

 

Participant in Mus-Mus.ORG @600

 

About @600 Now That It’s Done

@600 was conceived as a playful experiment – what it in fact is and may become over time and for each and all – will shift as every document and statement inevitably, and thankfully will do. We would like to reference here however three ways the work might be considered today – three among three thousand surely – but here are three.

@600 was a collective, performative, photographic shot in the dark – for many, literally -- the dark of the night.  Photographers function independently for the most part and while they share strong friendships, their personal work is most often done alone. Thus it was wonderful to see that in less than 5 weeks after announcing the project, making invitations and receiving submissions – the photographs had been taken, selected and posted. Many of us felt a powerful connection with our peers, our communities and the world as we released the shutter @600 knowing that our colleagues from around the world would be doing the same in the same moment. For many this may be the enduring connection with the project – the sense of coming together at a precise moment through a medium that we all love. We encourage those of you who participated but have not spoken about your experience or the photograph to add a few words when you find time and if you would like to share how the project, the moment and the photograph @600 had meaning for you.

 

Secondly, @600 was a planned archive and an intentional document of that precise moment.  Certainly it has no claim to objectivity as the choice of photographers, locales and their choice of subjects were all subjective and even idiosyncratic. But because of the number of views and the structure of the project the collection will,  as most archives do, yield some information immediately and more later. Insights perhaps that no one might have anticipated. Writing recently about work with archives for Aperture, Winter 2008, Issue 193,  Ulrich Baer made this point: “What belongs in an archive? Everything that someone does not wish to forget and everything that someone believes will hold the key to the future.” He goes on to make a wish for a more hopeful stance for archives that they might “chart a path for someone to construct his or her own archive of light, of hope and of shadings of life as yet unlived, and may allow us to see the past not as something static but as something yet to be delivered.’ We hope that this collection of images will offer in its small way a statement about the world at this moment. It offers the views of 100 photographers who chose to seize at a precise moment a photograph to give to others they knew would be sharing the experience with them.

 

Finally, @600 is a photographic essay in the old French sense of the term – “to try, to attempt” – to sally forth and see what might be done and then render a visual report of what happened as a result. We know our world is more highly interwoven as result of our advancing media and technologies. That our small team with such ordinary tools  could elicit on short notice such a broad and deep response is revealing of the possibilities of the times and the world we share now – and that some of us shared with camera’s on November 4, 2008, @600.

The Mus-Mus Team

 

GO TO MUS-MUS.ORG >

 

 

 

 

Exhibition Catalogue Available

Familiar - Photographs by Brad Moore

40 page catalogue from the exhibition at Point of View Gallery, NYC, September 2007

 

ORDER CATALOGUE >